By Edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clément
AFTER BECKETT / D’APR?S BECKETT (edited by way of Anthony Uhlmann / Sydney; Sjef Houppermans / Leiden and Bruno Cl?ment / Paris) constitutes a set of over forty articles chosen from contributions to the Sydney Symposium of January 2003 that – as part of a global Sydney pageant – was once one of many significant occasions regarding Samuel Beckett of the decade. the 3 sections of the ebook replicate the main brilliant fields of study in Beckett stories at the present time: "Intertextuality and Theory", "Philosophy and thought" and "Textual Genesis, Contextual Genesis and Language". students from worldwide engaging during this assortment testify to the sturdy and common nature of curiosity in Beckett’s paintings. AFTER BECKETT / D’APR?S BECKETT (?dit? par Anthony Uhlmann / Sydney; Sjef Houppermans / Leiden et Bruno Cl?ment / Paris) constitue une assortment de plus de forty articles pr?sentant une s?lection parmi les contributions au Colloque overseas de Sydney qui a european lieu en janvier 2003 dans le cadre du competition foreign de Sydney. Cette r?union a ?t? l’un des ?v?nements majeurs de ce d?but du troisi?me mill?naire pour ce qui concerne les ?tudes beckettiennes. Les trois sections du recueil refl?tent les champs d’int?r?t les plus importants de los angeles critique beckettienne actuelle: "Intertextualit? et confluence", "Philosophie et Th?orie" et "Gen?se textuelle, Gen?se contextuelle et Langage". Des universitaires du monde entier ont particip? ? ce livre et t?moignent ainsi de l’int?r?t universel et sturdy de l’?uvre de Samuel Beckett
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On projection and introjection in Molloy, see Moorjani 1982, 96118. 36 Works Cited Anzieu, Didier, Beckett et le psychanalyste (Paris: Éditions Mentha, 1992). Balzac, Honoré de, La Peau de chagrin (Paris: Librairie Générale FrançaiseClassiques de poche, 1995). First published in 1831. Beckett, Samuel, Molloy (Paris: Éditions de Minuit, 1951). –, Molloy, in Three Novels: Molloy, Malone Dies, The Unnamable (New York: Grove P, 1955). –, Murphy (New York: Grove P, 1957). –, The Unnamable, in Three Novels: Molloy, Malone Dies, The Unnamable (New York: Grove P, 1958).
Rev. ]). 51 THE EYE, THE VOICE, THE SKIN: LA PEAU, LA VOIX, L’ŒIL Sjef Houppermans As Didier Anzieu shows in his Beckett et le psychanaliste, if we want to look at Beckett and his work in a psychoanalytical way, we should dare to follow the lines that trace a continual to and fro at the surface of life and word, marks on the skin rather than views on an abyss. Prolonging this way of reading we shall point to the rhetoric of the unconscious as the texts display it, permitting a critical approach to what psychoanalysis says.
Further, suggesting filmic, pictorial, and theatric parallels, and it too torn between the wish to know and not to know, the eye in Ill Seen Ill Said probes alternatively the blinding power of whiteness and, “having no need of light to see”, the dim illuminations of blackness (Beckett 1981, 23). 8 The Pleasure of Looking without Seeing In investigating vision in relation to Oedipal conundrums, the guilty quest for knowledge, and mental forms of blindness, Bion further ties the development of vision to the pleasure and reality principles.
After Beckett - D'apres Beckett by Edited by Anthony Uhlmann, Sjef Houppermans, Bruno Clément